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somedevil: Josef Albers.Â from the series Day and Night: Homage to the Square.Â 1963.

Josef Albers, Sanctuary, from the series Graphic Tectonic. 1942.

nobrashfestivity:Josef Albers

poplifeplus: Josef Albers

alaspoorwallace:Josef Albers (German-American, 1888-1976), Homage to the Square: Between two Skies, 1954. Oil on masonite, 61 x 61 cm

desimonewayland: Josef Albers “If we must accept education as life and as preparation for life, we must relate all school work, including work in art, as closely as possible to modern problems. It is not enough to memorize historical interpretations

artfromthefuture: garadinervi: Anni Albers, Typewriter study to create a textile effect, n.d.; made on Olivetti Lettera 22 typewriter [The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York] love this

scandinaviancollectors: JOSEF ALBERS, Desert Glow II, 1971. Oil on masonite. / Galerie Melki

nobrashfestivity: Josef Albers, Let Hands Speak, 1930

Lois Gaigg, poster design for men’s wear, 1934. Kaufhaus JAWO, Vienna. Using the bold font, which was designed by Josef Albers. Via plakatkontor.de

Paul Klee by Josef Albers Nudes & Noises

artexpansion: Josef Albers, Segments, 1934

vjeranski: Homage to the Square: Lone Light, 1962 Josef Albers

northmagneticpole: Study for Homage to the Square: Now, 1962, Sunny Side Up Exhibition, 2017-Josef Albers at David Zwirner

design-is-fine: Lois Gaigg, poster design for men’s wear, 1934. Kaufhaus JAWO, Vienna. Using the bold font, which was designed by Josef Albers. Via plakatkontor.de

symmetrical: (via hermes) Hermès Editeur  Couleurs de l’ombre by Hiroshi Sugimoto  In 2008 Hermès edited its first “carré d’artiste”, Hommage au carré by Josef Albers followed  by a second in 2010, Photos-souvenirs au carré by

noir-de-mars:Josef Albers, artwork for Persuasive Percussion, 1959. USA.

projecteurart:Josef Albers proof for white line square series 1966

topcat77: Josef Albers proof for white line square series, 1966 •

eibhlindoran:Structural Constellation (1950) – Josef Albers

garadinervi: Josef Albers in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-1]

garadinervi: From: Art at Yale, Box 1, Folder 14: Clippings, 1958, Josef Albers papers, 1929-1970, Archives of American Art, Smithsonian Institution, Washington, D.C.

garadinervi: Josef Albers with a folded paper structure in his first foundation course at HfG Ulm/Ulm School of Design, January, 1954. Photo by Hans G. Conrad [© René Spitz. HGC Collection Inv. No. 2057-2]

Structural Constellation III - Josef Albers, c. 1950

foldersleeping:Josef Albers

hipinuff: Josef Albers (German-American, 1888-1976), Homage to the square, 1964, oil on masonite, 100 x 100 cm

preciousandfregilethings: Josef Albers

hipinuff: Josef Albers (German-American, 1888-1976), Homage to the Square, Last Century, 1956. Oil on masonite, 100 x 100 cm.

colin-vian: Josef Albers (1888 - 1976) Homage to the Square. Saturation, 1967

magictransistor: Josef Albers. Homage to the Square: Against Deep Blue. 1955.

atmospheric-minimalism: Josef Albers, Color Study for Mitered Square, not dated

felixinclusis: art-history: Josef Albers, Homage to the Square: Soft Spoken, 1969. Oil on Masonite, 48 x 48 in. Metropolitan Museum of Art, New York

museumuesum: Josef Albers Four Xs in Red, 1938 Oil on fiberboard, 18 1/8” x 18 1/8” (45.9 x 46 cm)

somedevil:Josef Albers, from the series Day and Night: Homage to the Square, 1963

womensweardaily: Roksanda Ilincic RTW Spring 2013 The contrasting aesthetic languages of artists Josef Albers and Niki de Saint Phalle were the foundation upon which the designer built her spring collection. For More See all of WWD.com’s RTW Spring

quincampoix: Josef Albers, Light Construction, 1945

letargos: Josef Albers, Structural Constellations, 1959

cavetocanvas:Structural Constellation III - Josef Albers, c. 1950

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